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        Genre: Secular Choral Pieces

        Title Description Composer Voicing

        Two Kyries from the Winds of Heaven

        #MM2005
        Two Kyries from the Winds of Heaven    #MM2005      Treble voices 
        These two songs are unusual, fresh and vivid. They resonate with ideas drawn from several religious philosophies. The composer sanctions performances within the context of Christian worship as well as any philosophic tradition which values the soul. Includes harmonic overtone singing.
        The individual parts are very simple and a large and sonorous ensemble is preferred.
        Note : This score includes an additional alternative ‘Kyrie 11’
        Treble voices a cappella.
        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Black Swana (SATB)

        #

        From the Torres Strait Islands north of Australia’s Cape York comes a beautiful song which depicts the progress of the ship Black Swana as it glides across the sea.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Lament

        #MM2020

        SATB divisi accompanied (strings or other sustaining instruments) or a cappella, with Baritone soloist. Originally part of a 30 minutes work Childers Shining which helped bring healing to a community after a fire tragedy caused the loss of 15 lives, this work was written to bring healing, transformation and upliftment.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Honour the Earth

        #MM2025

        Simple voice parts, yet a powerful piece with a powerful message surely more necessary now than ever before. This piece brings together many cultural influences from the “earth tribes” – Native American, African, Celtic, Aboriginal and Mongolian as well as the music of nature herself – birdcalls and flowing streams.SA divisi a cappella or accompanied.

        The sound sample is from the CD : Honour the Earth ~ music by Sarah Hopkins
        TRACK 1 : Honour the Earth as Your Mother – for treble voice choir & orchestra commissioned & performed by Korowa Anglican Girls’ School, Melbourne, conducted by Nadene Gilmore.
        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Honour The Earth

        #MM2026

        Simple voice parts, yet a powerful piece with a powerful message surely more necessary now than ever before. This piece brings together many cultural influences from the “earth tribes” – Native American, African, Celtic, Aboriginal and Mongolian as well as the music of nature herself – birdcalls and flowing streams.SATB divisi a cappella or accompanied.

        Demonstration Recording: Montclair State University Singers directed by Dr. Heather J. Buchanan from the 2012 ACDA Eastern Division Conference.

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Hullayha

        #MM2021

        Hullayha (pronounced ‘Hull-ay-ha’) for SATB divisi choir a cappella or accompanied (by optional percussion, String Orchestra or Full Orchestra). The soulful opening gradually transforms into abundant joy. All the melodies are very ‘singable’ & supported by sustained drones which ‘birth’ out of the melody line.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Hullayha

        #MM2022

        Hullayha (pronounced ‘Hull-ay-ha’) for SA divisi choir a cappella or accompanied (by optional percussion, String Orchestra or Full Orchestra). The soulful opening gradually transforms into abundant joy. All the melodies are very ‘singable’ & supported by sustained drones which ‘birth’ out of the melody line.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Do not Stand at my Grave and Weep

        #MM2031

        A lovely setting of this beloved text by Mary Frye, which speaks comfort as it were, beyond the grave. For unaccompanied SATB choir, Joe Twist wrote it for Graeme Morton and the National Youth Choir of Australia. Highly recommended.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Rain Dream

        #MM2033

        A highly imaginative choral piece for SSAA choir and piano. In it a young child who lives in the dry central Australian outback and has never seen rain dreams of what it would like to be in a thunderstorm. The work eventually becomes a sort of rain dance with chanting of “Wandjina”, an Australian Aboriginal rain spirit.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        The Springtime it Brings on the Shearing

        #MM1016

        A lyrical and charming Australian folksong set for SATB choir and piano. This is a simple arrangement that brings out the grace and charm of the melody. The score gives and explanation of all the Australian slang in the song, arising as it does from the Australian colonial period and the vast sheep-raising properties that were characteristic of this history.

        This song makes a great contrast with Bullocky-O, also arranged by Graeme Morton.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Come By The Hills

        #MM1101

        The arrangement of a traditional song comes from Michael Tyack and George Torbay, and was commissioned by the New South Wales department of Education and Training. Arranged for SA and piano, it is a welcome addition to the repertoire for school or community performance.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Past Life Melodies (SATB)

        #MM2001

        Australia’s most iconic choral work to date, and featured on the Hollywood film Boychoir. This version is for SATB divisi choir a cappella. MM2003 is a treble version and MM2004 uses the treble voice version of the score for choir and an accompaniment for celli only.

        The work distinctively features Harmonic Overtone Singing. A rehearsal guide to Past Life Melodies, also available through Morton Music, shows you how to teach this technique to your choir.

        Commissioned by Graeme Morton’s high school choir, the work can be performed by choirs of modest training, and yet has made it all the way to Chanticleer, and other professional groups, such is its broad appeal.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Come Ye Makers of Song

        #MM1015

        This piece owes much to Henry Purcell since it uses Ruth Watson Henderson’s lovely paraphrase of “Come Ye Sons of Art”. The music is simple (in 2 parts), with metre changes that always follow the flow of text and underpinned by constant eighth notes in the accompaniment. The piece is energetic and vibrant and makes an excellent start to a program or bracket for your choir.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Animals Noah Forgot (Set 2)

        #MM1018

        Six unison songs with piano using poems by Banjo Paterson. Sing in set 1 about The Mountains, Old Man Platypus, Flying Squirrels, and in set 2, Weary Will, White Cockatoos and Frogs in Chorus. These texts first appeared in 1931 in a collaboration between Banjo Paterson and artist Normal Lindsay (of Magic Pudding fame). Their book proposes that Australian animals are so different from animals elsewhere that perhaps they refused to go into the Ark with Noah in the great flood. Fun to sing – fun to listen to.

        Recordings of two of the pieces are provided by Noel’s own choir, the Australian Boys Choir. The accompanist in the Animals is Charlie Sdraulig

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

         

        Animals Noah Forgot (Set 1)

        #MM1017

        Six unison songs with piano using poems by Banjo Paterson. Sing in set 1 about The Mountains, Old Man Platypus, Flying Squirrels, and in set 2, Weary Will, White Cockatoos and Frogs in Chorus. These texts first appeared in 1931 in a collaboration between Banjo Paterson and artist Normal Lindsay (of Magic Pudding fame). Their book proposes that Australian animals are so different from animals elsewhere that perhaps they refused to go into the Ark with Noah in the great flood. Fun to sing – fun to listen to.

        The sound files are provided by Noel’s own choir, the Australian Boys Choir. The accompanist in the Animals is Charlie Sdraulig

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Araluen

        #

        Another Australian work with that characteristic “Orlovich sound” – fresh, buoyant, vital and energized, but without weight and drama. It is always clean on the palate. The sample recording is by the National Youth Choir of Australia.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        On The Night Train

        #MM2032

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Wake Up!

        #

        Wake Up! is a rhythmic and energetic piece that re-imagines the choir ensemble as a contemporary band. Amongst the global frenzy of contemporary culture, hip-hop and urban music has become the ‘folk music’ that resonates strongly with our current generation. This piece captures the vibrancy of those rhythms and melodies through the imitation of driving hip-hop beats and vociferous rap vocal.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Sing Out!

        #MM1511

        Sing Out! was commissioned for Australian Society of Music Education Conference 2005 as the opening massed work. It is a short, fun, rhythmic piece to be sung ‘with joy’.

        Rehearsing And Performing Past Life Melodies

        #MM 2008

        A short compendium of information and resources helpful to choir directors, choristers and music students. Much of the material in this booklet is different from that in the CD. There is biographical information, a discussion on the process of composition and suggestions for rehearsal.

         

        Voice Of The River

        #MM 2041

        Orlovich has a keen ear for the way different texts resonate with each other. This piece uses the traditional Latin text Dulcis Jesu Memoria and Victor Carrell’s Voice of the River which draws on a series of images which address “love” as it is found in some of its myriad manifestations. Commissioned by Graeme Morton’s St Peters Chorale and suitable for a good high school or college choir. It could also be used in church situations as an anthem.

        Three Australian Bush Songs

        #MM 2061c

        This wonderful piece portrays three phases of the day: Sunrise, emerging in the stillness of the dawn, Birds, reflecting the vitality of the noonday, and the vibrant bird calls in the “Australian) bush, and Sunset, where the conclusion to the set of songs is a slow chordal diminuendo as the sun sets. Each movement can be performed separately.

        Where Go The Boats

        #MM 1009

        A graceful setting of the Robert Louis Stevenson poem for young children.

        (The performance is by the Brisbane Birralee Voices Junior Choir)

        When The Sleepy Man Comes

        #MM 1014

        A delightful choral piece for junior choristers aged six to nine. The three stanzas of this song feature graceful singable lines in a classical style. Highly recommended for a choir’s first competition.

        ,

        Sky Song

        #MM 1502

        The composer arranged the text using both his own verses in English and traditional Australian words. The latter have a sonorous quality and also match the theme of the song. The result is a work with a distinct Australian flavour which paints a visual image of the Australian outback. SSAA unaccompanied.

        Past Life Melodies

        #MM 2003

        Australia’s most iconic choral work to date, and featured on the Hollywood film Boychoir. This version is for SA divisi choir a cappella. MM2004 uses the treble voice version of the score for choir and an accompaniment for celli only.

        Commissioned (in the SATB version) for Graeme Morton’s high school choir, the work can be performed by choirs of modest training, and yet has made it all the way to Chanticleer, and other professional groups, such is its broad appeal.

        Great Southern Spritis

        #MM 2002

        Two Kyries From The Winds Of Heaven

        #MM 2006

        These two pieces are unusual, fresh and vivid. They resonate with ideas drawn from several religious philosophies. The composer sanctions performances within the context of Christian worship as well as any philosophic tradition which values the soul. Includes harmonic overtone singing.

        The individual parts are very simple and a large and sonorous ensemble is preferred. Mixed voices a cappella.

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Return To Joy

        #MM 2007

        A short piece by Sarah Hopkins in a vibrant, joyful style. This is a combined score that can be used by either treble or mixed voices. The work divides into seven parts but many parts use sustained single tones so a choir of reasonable ability can perform the work. SA or SATB a cappella (or accompanied by any treble ensemble).

        ,

        Once I Had A Sweetheart

        #MM 1005

        An Australian interpretation of a traditional English folksong. Appropriate for various groups but particularly suitable for women’s voices. SSAA unaccompanied.

        The demonstration recording is:
        Once I Had A Sweetheart, trad. arranged Mark Puddy: Perth Modern School (Western Australia) Schola Cantori conducted by Celia Christmass, 2006

        Come All Ye Fair And Tender Ladies

        #MM 1006

        An Australian interpretation of a traditional English folksong that is a good companion piece to Once I Had A Sweetheart. SA and piano.

        Demonstration Recording:
        Come All Ye Fair and Tender Ladies, trad. arranged Mark Puddy: Gulf Coast Youth Choir, Florida, Conducted by Lynne Gackle, 2001

        Simple Gifts

        #MM 0911

        A four-part arrangement for treble voices of the traditional American folk song that concludes with the most magical and ethereal sounds!

        Black Swana

        #MM 0904

        From the Torres Strait Islands north of Australia’s Cape York comes a beautiful song which depicts the progress of the ship Black Swana as it glides across the sea.

        (The musical example is for mixed voices)

        Island Songs

        #MM 0811 (treble)/ MM0409 (SATB)

        Three songs from the Torres Strait Islands to the north of Australia. Comprises Monkey and Turtle, Trade Winds and Morning Tide. Good for use in classrooms or with choirs at elementary or high school level.

        The SATB version is for unaccompanied choir. The treble version  has a piano accompaniment.

        Island Songs – Monkey and Turtle

        #MM 0811a (treble)/ MM0409a (SATB)

        A humorous look at the monkey and turtle who go looking for bananas and get shot! Suitable for children of all ages! Only available within the collection of Island Songs.

        The SATB version is for unaccompanied choir. The treble version  has a piano accompaniment.

        (The musical example is for mixed voices)

        Island Songs – Trade Winds

        #MM 0811b (treble)/ MM0409b (SATB)

        A beautiful song of travel and love. This is a lovely arrangement of a Torres Strait Island song. Only available within the collection of Island Songs.

        The SATB version is for unaccompanied choir. The treble version  has a piano accompaniment.

        (The musical example is for mixed voices)

        Island Songs – Morning Tide

        #MM 0811c (treble)/ MM0409c (SATB)

        An easy but effective strophic song emphasizing community. “Come my brother, come my friend, wait, wait in the deep”.

        The SATB version is for unaccompanied choir. The treble version  has a piano accompaniment.

        (The musical example is for mixed voices)

        Voices Of A Land – Cutty Sark

        #MM 0801a

         

        A tale of two ships the Cutty Sark and the Dunbar. The Dunbar was wrecked in the nineteenth century and calls to warn the Cutty Sark of danger “do you hear my faint ahoy?”.

         

         

        Voices Of A Land – Midsummer Noon

        #MM 0801b

        The song describes the stillness of the Australian bush during the oppressive heat of midsummer. The song ends with “random bush sounds” to be produced by the choir members.

        (The musical example is performed by Young Voices of Melbourne – Directed by Mark O’Leary)

        Voices Of A Land – Drovers

        #MM 0801c

         

        The drover drives his herd of cattle over the plains of parched landscape.

        (The musical example is performed by Young Voices of Melbourne – Directed by Mark O’Leary)