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        Title Description Composer Voicing

        Advance Australia Fair

        #MM0401

        The Australian National Anthem. Can also be sung with unison voices.

        And Loud We Sing And Long!

        #MM 0605

        This carol for Christmas manages to combine several opposing concepts. It mentions the traditional winter cold of Christmas and the summer heat which is part of the Australian Christmas experience. It also combines “scat” syllables in a style which is definitely Classical. This piece can be sung by any church or college ensemble which sings the standard repertoire of Christmas. Highly recommended!

        Andy’s gone with cattle

        #MM10112

        Combines the traditional music and text of the Australian folk song Andy’s Gone With Cattle with the American folk song He’s Gone Away. Would suit a high school choir.

        Animals Noah Forgot (Set 1)

        #MM1017

        Six unison songs with piano using poems by Banjo Paterson. Sing in set 1 about The Mountains, Old Man Platypus, Flying Squirrels, and in set 2, Weary Will, White Cockatoos and Frogs in Chorus. These texts first appeared in 1931 in a collaboration between Banjo Paterson and artist Normal Lindsay (of Magic Pudding fame). Their book proposes that Australian animals are so different from animals elsewhere that perhaps they refused to go into the Ark with Noah in the great flood. Fun to sing – fun to listen to.

        The sound files are provided by Noel’s own choir, the Australian Boys Choir. The accompanist in the Animals is Charlie Sdraulig

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Animals Noah Forgot (Set 2)

        #MM1018

        Six unison songs with piano using poems by Banjo Paterson. Sing in set 1 about The Mountains, Old Man Platypus, Flying Squirrels, and in set 2, Weary Will, White Cockatoos and Frogs in Chorus. These texts first appeared in 1931 in a collaboration between Banjo Paterson and artist Normal Lindsay (of Magic Pudding fame). Their book proposes that Australian animals are so different from animals elsewhere that perhaps they refused to go into the Ark with Noah in the great flood. Fun to sing – fun to listen to.

        Recordings of two of the pieces are provided by Noel’s own choir, the Australian Boys Choir. The accompanist in the Animals is Charlie Sdraulig

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

         

        Araluen

        #

        Another Australian work with that characteristic “Orlovich sound” – fresh, buoyant, vital and energized, but without weight and drama. It is always clean on the palate. The sample recording is by the National Youth Choir of Australia.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        As Evening Shadows Fall

        #MM612

        A gem of an arrangement from Canadian Larry Nickel that your choir and congregation/audience will absolutely love.

        The recording is by the West Coast Mennonite choir conducted by Tony Funk.

        Ave Maria

        #MM610
        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Birdsongs

        #MM 0803

        Birdsongs – Night Birds

        #MM 0802b

        A slow and highly atmospheric piece which notes the birds which “sing by day” but cry during the night.

        Birdsongs – The Seagull

        #MM 0802c

        A call to the fish to avoid the seagull who is looking for lunch! A highly energetic and likeable piece for young singers.

        Birdsongs – Wild Black Crows

        #MM 0802a

        With a vocal range of just a fifth, this song describes the crows who “fly away to where nobody knows”

        Black Children

        #MM 0901

        Suitable for elementary or high school use. The score is a blueprint which simply indicates basic material with which the choir can work. The choir and conductor are encouraged to make major decisions concerning their performance and the result is lots of fun!

        Black Swana

        #MM 0904

        From the Torres Strait Islands north of Australia’s Cape York comes a beautiful song which depicts the progress of the ship Black Swana as it glides across the sea.

        (The musical example is for mixed voices)

        Black Swana (SATB)

        #

        From the Torres Strait Islands north of Australia’s Cape York comes a beautiful song which depicts the progress of the ship Black Swana as it glides across the sea.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Breakers

        #MM 0505

        “Dolphins” are the subject of this highly energetic and rhythmic piece.

        Bullocky-O

        #MM1010

        A rollicking piece for a good high school choir. Bullock teams were an important form of early transport for heavy loads in Australia and each one was driven by a “bullocky” – a pioneer of great character. Requires a skilled pianist.

        Ceduna

        #MM 0413

        This is the fourth title of Songs of Passage, the work which includes Ngana. “Ceduna” means “waterhole”. The music includes “boxes” of material for singers to work through as well as traditionally scored sections. Commissioned by Graeme Morton’s St Peters Chorale.

        Christ the Lord is Risen Again

        #

        An energetic and exuberant paean on an Easter text by sixteenth century German writer, Michael Weisse. The music bowls along in changing meters from 4/4 to 7/8, 6/8 and 2/4. The choral parts are often in rhythmic unison or doubled by the keyboard, so the music is memorable and easy to sing by choirs of all abilities. There is a great balance between the asymmetry of the rhythm and the repetition of sections. The accompaniment lies “under the fingers” and is easily accessible to most church accompanists. This piece is suitable for any part of the Easter season, but particularly for Easter Sunday. Its dance like character also makes performance possible in choral programs outside religious services.This simple and vital anthem solves the problem of finding Easter music that is vibrant and energetic rather than grand and triumphant. If your choir likes John Rutter’s Easter music you may also like this piece, which makes references in the keyboard part to the well-loved hymn tune commonly sung to the same text.

        This recent work by Australian composer/choral conductor Graeme Morton is an energetic and highly rhythmic setting of this familiar Catherine Winkworth translation of a sixteenth-century German hymn text.  The frequently changing meters from 4/4 to 7/8 to 6/8 add syncopation and rhythmic energy, a fitting complement to this joyful text.
        The melody is memorable, and the composer has creatively, yet subtly alluded to the familiar Easter hymn tune Lyra Davidica in the instrumental introduction and interludes. Aside from some moderate rhythmic challenges, the choral writing is quite accessible, and range and tessitura are easily within the reach of the average church or high school choir. The accompaniment, while best suited to the organ can also be performed on the piano.  
        This piece is suitable for the season of Easter and would make a great anthem for Easter Sunday for those churches that choose not to prepare works with brass ensemble. Highly recommended. (Review in the American Choral Director’s Association Journal)

        Erratum – In bar 57 the bass part should be 2 b-naturals followed by 2 b-flats, as in bars 27, 78, 106.

        Come All Ye Fair And Tender Ladies

        #MM 1006

        An Australian interpretation of a traditional English folksong that is a good companion piece to Once I Had A Sweetheart. SA and piano.

        Demonstration Recording:
        Come All Ye Fair and Tender Ladies, trad. arranged Mark Puddy: Gulf Coast Youth Choir, Florida, Conducted by Lynne Gackle, 2001

        Come By The Hills

        #MM1101

        The arrangement of a traditional song comes from Michael Tyack and George Torbay, and was commissioned by the New South Wales department of Education and Training. Arranged for SA and piano, it is a welcome addition to the repertoire for school or community performance.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Come Ye Makers of Song

        #MM1015

        This piece owes much to Henry Purcell since it uses Ruth Watson Henderson’s lovely paraphrase of “Come Ye Sons of Art”. The music is simple (in 2 parts), with metre changes that always follow the flow of text and underpinned by constant eighth notes in the accompaniment. The piece is energetic and vibrant and makes an excellent start to a program or bracket for your choir.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Coraparena

        #MM 0412

        Also from Songs of Passage, “coraparena” means “flat place”. The writing is easy to sing though it contains some chord clusters. Commissioned by Graeme Morton’s St Peters Chorale.

        Crossing The Bar

        #MM 0604

        An evocative setting of Tennyson’s text. Suitable for high school, community and church choirs.

        Do not Stand at my Grave and Weep

        #MM2031

        A lovely setting of this beloved text by Mary Frye, which speaks comfort as it were, beyond the grave. For unaccompanied SATB choir, Joe Twist wrote it for Graeme Morton and the National Youth Choir of Australia. Highly recommended.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Five Songs For Treble Choirs

        #MM 2105

        Pieces by Stephen Leek, Michael Knopf, Kent Farbach, Robert Davidson and Mary Mageau on Australian themes. Publication was sponsored by the Australian National Choral Association.

        Foolin’ A-Round

        #MM 1012

        A delightful set of rounds for students in lower primary grades and upwards. These can be interpreted in the traditional way but Chris suggests many contemporary possibilities for each round. This publication includes a licensing agreement for copying within a single institution.

        Gloria In Excelsis

        #MM 1008

        An energetic rhythmic Gloria with alternative texts for Christmas and general use.

        Demonstration Recording:
        Gloria In Excelsis, Mark Puddy: Gulf Coast Youth Choir, Florida, Conducted by Lynne Gackle, 2001

        Good Christian Folk, Rejoice

        #MM 0602b

        Uses the traditional text in a new and exciting setting for four-part chorus. Brass parts are available from the distributor.

        Goolay-Yali

        #MM 0910

        The third and final piece in Ancient Cries, this “pelican dance” has caught the imagination of young and adult treble choirs the world over. Wonderfully rhythmic with stunning climaxes and interesting vocal sounds. It is also not very difficult. A “must perform.”

        The recording is by Young Voices of Melbourne, directed by Mark O’Leary.

        Great Southern Spritis

        #MM 2002

        Ground Zero

        #MM 1501

        Stanhope’s piece was written 1999. The text by Michael Dransfield, partly autobiographical, explores personal change and the inevitability of things being forgotten. Aimed at a top treble choir (children or women) although the individual parts themselves are not difficult.

        Hodie Christus Natus Est

        #MM 1601

        A lively rhythmic Hodie in a mild twentieth-century style. Would suit high school college or church choirs in Christmas presentations or carol services.

        Hombres, Victoria, Victoria (from Three Motets after Victoria)

        #MM2034(c)

        The third of Joseph Twist’s “Victoria Triptch”. Suitable for concert use, and liturgically especially at Christmas.

        Victory, mankind! Because against all of hell, The crying of a tender child ensures our glory.

        Available in the set of Three Motets after Victoria – not available singly.

        The recording is by the Choir of St James Church, King Street, Sydney.

         

        Honour The Earth

        #MM2026

        Simple voice parts, yet a powerful piece with a powerful message surely more necessary now than ever before. This piece brings together many cultural influences from the “earth tribes” – Native American, African, Celtic, Aboriginal and Mongolian as well as the music of nature herself – birdcalls and flowing streams.SATB divisi a cappella or accompanied.

        Demonstration Recording: Montclair State University Singers directed by Dr. Heather J. Buchanan from the 2012 ACDA Eastern Division Conference.

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Honour the Earth

        #MM2025

        Simple voice parts, yet a powerful piece with a powerful message surely more necessary now than ever before. This piece brings together many cultural influences from the “earth tribes” – Native American, African, Celtic, Aboriginal and Mongolian as well as the music of nature herself – birdcalls and flowing streams.SA divisi a cappella or accompanied.

        The sound sample is from the CD : Honour the Earth ~ music by Sarah Hopkins
        TRACK 1 : Honour the Earth as Your Mother – for treble voice choir & orchestra commissioned & performed by Korowa Anglican Girls’ School, Melbourne, conducted by Nadene Gilmore.
        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Hullayha

        #MM2022

        Hullayha (pronounced ‘Hull-ay-ha’) for SA divisi choir a cappella or accompanied (by optional percussion, String Orchestra or Full Orchestra). The soulful opening gradually transforms into abundant joy. All the melodies are very ‘singable’ & supported by sustained drones which ‘birth’ out of the melody line.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Hullayha

        #MM2021

        Hullayha (pronounced ‘Hull-ay-ha’) for SATB divisi choir a cappella or accompanied (by optional percussion, String Orchestra or Full Orchestra). The soulful opening gradually transforms into abundant joy. All the melodies are very ‘singable’ & supported by sustained drones which ‘birth’ out of the melody line.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Hush: on the Death of a Bush Church

        #MM2062

        This secular piece laments the loss caused to both western and indigenous cultures when white miners arrive to mine for gold.

        Into The Darkness

        #MM 0416

        The five songs of this suite are the perfect simple introduction to modern techniques of vocal writing for high school, college or community choir. The work constitutes a gradual progression from the cicada chorus of late afternoon through the gathering darkness to a night fishing excursion and finally sleep. The score is presented in easy-to-read manuscript.