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        Genre: Concert Repertoire

        Title Description Composer Voicing

        Lament

        #MM2020

        SATB divisi accompanied (strings or other sustaining instruments) or a cappella, with Baritone soloist. Originally part of a 30 minutes work Childers Shining which helped bring healing to a community after a fire tragedy caused the loss of 15 lives, this work was written to bring healing, transformation and upliftment.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Honour the Earth

        #MM2025

        Simple voice parts, yet a powerful piece with a powerful message surely more necessary now than ever before. This piece brings together many cultural influences from the “earth tribes” – Native American, African, Celtic, Aboriginal and Mongolian as well as the music of nature herself – birdcalls and flowing streams.SA divisi a cappella or accompanied.

        The sound sample is from the CD : Honour the Earth ~ music by Sarah Hopkins
        TRACK 1 : Honour the Earth as Your Mother – for treble voice choir & orchestra commissioned & performed by Korowa Anglican Girls’ School, Melbourne, conducted by Nadene Gilmore.
        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Honour The Earth

        #MM2026

        Simple voice parts, yet a powerful piece with a powerful message surely more necessary now than ever before. This piece brings together many cultural influences from the “earth tribes” – Native American, African, Celtic, Aboriginal and Mongolian as well as the music of nature herself – birdcalls and flowing streams.SATB divisi a cappella or accompanied.

        Demonstration Recording: Montclair State University Singers directed by Dr. Heather J. Buchanan from the 2012 ACDA Eastern Division Conference.

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Hullayha

        #MM2021

        Hullayha (pronounced ‘Hull-ay-ha’) for SATB divisi choir a cappella or accompanied (by optional percussion, String Orchestra or Full Orchestra). The soulful opening gradually transforms into abundant joy. All the melodies are very ‘singable’ & supported by sustained drones which ‘birth’ out of the melody line.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Hullayha

        #MM2022

        Hullayha (pronounced ‘Hull-ay-ha’) for SA divisi choir a cappella or accompanied (by optional percussion, String Orchestra or Full Orchestra). The soulful opening gradually transforms into abundant joy. All the melodies are very ‘singable’ & supported by sustained drones which ‘birth’ out of the melody line.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Do not Stand at my Grave and Weep

        #MM2031

        A lovely setting of this beloved text by Mary Frye, which speaks comfort as it were, beyond the grave. For unaccompanied SATB choir, Joe Twist wrote it for Graeme Morton and the National Youth Choir of Australia. Highly recommended.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Rain Dream

        #MM2033

        A highly imaginative choral piece for SSAA choir and piano. In it a young child who lives in the dry central Australian outback and has never seen rain dreams of what it would like to be in a thunderstorm. The work eventually becomes a sort of rain dance with chanting of “Wandjina”, an Australian Aboriginal rain spirit.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        The Springtime it Brings on the Shearing

        #MM1016

        A lyrical and charming Australian folksong set for SATB choir and piano. This is a simple arrangement that brings out the grace and charm of the melody. The score gives and explanation of all the Australian slang in the song, arising as it does from the Australian colonial period and the vast sheep-raising properties that were characteristic of this history.

        This song makes a great contrast with Bullocky-O, also arranged by Graeme Morton.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Come Ye Makers of Song

        #MM1015

        This piece owes much to Henry Purcell since it uses Ruth Watson Henderson’s lovely paraphrase of “Come Ye Sons of Art”. The music is simple (in 2 parts), with metre changes that always follow the flow of text and underpinned by constant eighth notes in the accompaniment. The piece is energetic and vibrant and makes an excellent start to a program or bracket for your choir.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Araluen

        #

        Another Australian work with that characteristic “Orlovich sound” – fresh, buoyant, vital and energized, but without weight and drama. It is always clean on the palate. The sample recording is by the National Youth Choir of Australia.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        On The Night Train

        #MM2032

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Wake Up!

        #

        Wake Up! is a rhythmic and energetic piece that re-imagines the choir ensemble as a contemporary band. Amongst the global frenzy of contemporary culture, hip-hop and urban music has become the ‘folk music’ that resonates strongly with our current generation. This piece captures the vibrancy of those rhythms and melodies through the imitation of driving hip-hop beats and vociferous rap vocal.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Ave Maria

        #MM610
        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Sing Out!

        #MM1511

        Sing Out! was commissioned for Australian Society of Music Education Conference 2005 as the opening massed work. It is a short, fun, rhythmic piece to be sung ‘with joy’.

        Hombres, Victoria, Victoria (from Three Motets after Victoria)

        #MM2034(c)

        The third of Joseph Twist’s “Victoria Triptch”. Suitable for concert use, and liturgically especially at Christmas.

        Victory, mankind! Because against all of hell, The crying of a tender child ensures our glory.

        Available in the set of Three Motets after Victoria – not available singly.

        The recording is by the Choir of St James Church, King Street, Sydney.

         

        Lamentation of Jeremiah (from Three Motets after Victoria)

        #MM2034(b)

        The second of Joseph Twist’s “Victoria Triptych” this piece quotes from Victoria’s Lamentation, adding new modern elements clothed in a rich, plaintive harmonic language. Suitable for concert and liturgical use, and making musical references to Victoria’s Lamentations throughout.

        Available in the set of Three Motets after Victoria – not available singly.

        Versa est in Luctum (from Three Motets after Victoria)

        #MM2034(a)

        Number one of Twist’s “Victoria Triptych”. My harp is tuned for lamentation, and my flute to the voice of those who weep. Spare me, O Lord, for my days are as nothing (trans. Miguel Iglesias)

        Available in the set of Three Motets after Victoria – not available singly.

        Three Motets after Victoria

        #MM2034

        This “Victoria Triptych” was written in 2011, the 400th anniversary of the death of the great Spanish polyphonist, Thomas Luis de Victoria. For unaccompanied SATB choir, and with divided parts, these wonderful Latin motets remind us that the great motet tradition is still vibrant and flourishing. The individual titles, recorded by the choir of St James King Street, Sydney, one of three commissioning choirs, are:

        Versa est in Luctum

        Lamentation of Jeremiah

        Hombres, Victoria, Victoria!

        Voice Of The River

        #MM 2041

        Orlovich has a keen ear for the way different texts resonate with each other. This piece uses the traditional Latin text Dulcis Jesu Memoria and Victor Carrell’s Voice of the River which draws on a series of images which address “love” as it is found in some of its myriad manifestations. Commissioned by Graeme Morton’s St Peters Chorale and suitable for a good high school or college choir. It could also be used in church situations as an anthem.

        Lo, There Is Light!

        #MM 2042

         

        Combines the text of Brightest and Best of the Sons of the Morning with two verses of Australian bush poet “Banjo” Paterson’s Sunrise on the Coast. Excellent Christmas piece. This work was commissioned in 1996 by The Harvard University Choir.

        Lux Aeterna

        #MM 2060

         

        Though written in an advanced idiom, this work was commissioned and first performed by Graeme Morton’s St Peters Chorale, a high school choir. The composer writes “musically, this work has been much influenced by Renaissance choral music…my aim above all things was to draw upon a tradition of writing that is solemn, richly spiritual but ultimately life-affirming”.

        The sound file was recorded by the Sydney Chamber Choir, conducted by the composer, and from a CD released through ABC Classics. Lux aeterna is recorded on the Sydney Chamber Choir CD Songs for the Shadowland.

         

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Three Australian Bush Songs

        #MM 2061c

        This wonderful piece portrays three phases of the day: Sunrise, emerging in the stillness of the dawn, Birds, reflecting the vitality of the noonday, and the vibrant bird calls in the “Australian) bush, and Sunset, where the conclusion to the set of songs is a slow chordal diminuendo as the sun sets. Each movement can be performed separately.

        Where Go The Boats

        #MM 1009

        A graceful setting of the Robert Louis Stevenson poem for young children.

        (The performance is by the Brisbane Birralee Voices Junior Choir)

        Sky Song

        #MM 1502

        The composer arranged the text using both his own verses in English and traditional Australian words. The latter have a sonorous quality and also match the theme of the song. The result is a work with a distinct Australian flavour which paints a visual image of the Australian outback. SSAA unaccompanied.

        Past Life Melodies

        #MM 2003

        Australia’s most iconic choral work to date, and featured on the Hollywood film Boychoir. This version is for SA divisi choir a cappella. MM2004 uses the treble voice version of the score for choir and an accompaniment for celli only.

        Commissioned (in the SATB version) for Graeme Morton’s high school choir, the work can be performed by choirs of modest training, and yet has made it all the way to Chanticleer, and other professional groups, such is its broad appeal.

        Great Southern Spritis

        #MM 2002

        Two Kyries From The Winds Of Heaven

        #MM 2006

        These two pieces are unusual, fresh and vivid. They resonate with ideas drawn from several religious philosophies. The composer sanctions performances within the context of Christian worship as well as any philosophic tradition which values the soul. Includes harmonic overtone singing.

        The individual parts are very simple and a large and sonorous ensemble is preferred. Mixed voices a cappella.

        ORDER NOW from http://musical-resources.com/morton-choral-music-from-australia/
        or in Australia from Hal Leonard Australia (wholesale) VIA YOUR PREFERRED SUPPLIER.

        Return To Joy

        #MM 2007

        A short piece by Sarah Hopkins in a vibrant, joyful style. This is a combined score that can be used by either treble or mixed voices. The work divides into seven parts but many parts use sustained single tones so a choir of reasonable ability can perform the work. SA or SATB a cappella (or accompanied by any treble ensemble).

        ,

        Simple Gifts

        #MM 0911

        A four-part arrangement for treble voices of the traditional American folk song that concludes with the most magical and ethereal sounds!

        Black Swana

        #MM 0904

        From the Torres Strait Islands north of Australia’s Cape York comes a beautiful song which depicts the progress of the ship Black Swana as it glides across the sea.

        (The musical example is for mixed voices)

        Riawanna

        #MM 0903

        “Riawanna” is an Australian native word for “circles” and the piece is a do-it-yourself round with thousands of possibilities. It includes mixed meters. The final instruction in the accompanying notes says it all: “have fun”.

        The sound file is by Eltham East Primary School Choir’s CD Sea Shapes, conducted by Anne Williams.

        Island Songs

        #MM 0811 (treble)/ MM0409 (SATB)

        Three songs from the Torres Strait Islands to the north of Australia. Comprises Monkey and Turtle, Trade Winds and Morning Tide. Good for use in classrooms or with choirs at elementary or high school level.

        The SATB version is for unaccompanied choir. The treble version  has a piano accompaniment.

        Come All Ye Fair And Tender Ladies

        #MM 1006

        An Australian interpretation of a traditional English folksong that is a good companion piece to Once I Had A Sweetheart. SA and piano.

        Demonstration Recording:
        Come All Ye Fair and Tender Ladies, trad. arranged Mark Puddy: Gulf Coast Youth Choir, Florida, Conducted by Lynne Gackle, 2001

        Island Songs – Monkey and Turtle

        #MM 0811a (treble)/ MM0409a (SATB)

        A humorous look at the monkey and turtle who go looking for bananas and get shot! Suitable for children of all ages! Only available within the collection of Island Songs.

        The SATB version is for unaccompanied choir. The treble version  has a piano accompaniment.

        (The musical example is for mixed voices)

        Island Songs – Trade Winds

        #MM 0811b (treble)/ MM0409b (SATB)

        A beautiful song of travel and love. This is a lovely arrangement of a Torres Strait Island song. Only available within the collection of Island Songs.

        The SATB version is for unaccompanied choir. The treble version  has a piano accompaniment.

        (The musical example is for mixed voices)

        Island Songs – Morning Tide

        #MM 0811c (treble)/ MM0409c (SATB)

        An easy but effective strophic song emphasizing community. “Come my brother, come my friend, wait, wait in the deep”.

        The SATB version is for unaccompanied choir. The treble version  has a piano accompaniment.

        (The musical example is for mixed voices)

        Voices Of A Land – Cutty Sark

        #MM 0801a

         

        A tale of two ships the Cutty Sark and the Dunbar. The Dunbar was wrecked in the nineteenth century and calls to warn the Cutty Sark of danger “do you hear my faint ahoy?”.

         

         

        Voices Of A Land – Midsummer Noon

        #MM 0801b

        The song describes the stillness of the Australian bush during the oppressive heat of midsummer. The song ends with “random bush sounds” to be produced by the choir members.

        (The musical example is performed by Young Voices of Melbourne – Directed by Mark O’Leary)

        Voices Of A Land – Drovers

        #MM 0801c

         

        The drover drives his herd of cattle over the plains of parched landscape.

        (The musical example is performed by Young Voices of Melbourne – Directed by Mark O’Leary)

        Breakers

        #MM 0505

        “Dolphins” are the subject of this highly energetic and rhythmic piece.