| Title | Description | Composer | Voicing | |
|---|---|---|---|---|
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We Are The Future (SSA) |
A wonderfully uplifting piece with solos throughout, We Are The Future is highly recommended for youth choir. With text adapted from year 8, Brighton Secondary Student, Paris Maddern’s poem “The Future”, this joyous piece for SATB or SSA choir carries a strong, youthful voice and sings of their hope for the future, and their role in it. “And I cry at the glowing blaze of disaster in this world Yearning to reshape it, let goodness be unfurled Perhaps I am not good enough Perhaps my strength exceeds me, The world will see me.” “We Are The Future” is also available in SATB voicing. |
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We Are The Future (SATB) |
A wonderfully uplifting piece with solos throughout, We Are The Future is highly recommended for youth choir. With text adapted from year 8, Brighton Secondary Student, Paris Maddern’s poem “The Future”, this joyous piece for SATB or SSA choir carries a strong, youthful voice and sings of their hope for the future, and their role in it. “And I cry at the glowing blaze of disaster in this world Yearning to reshape it, let goodness be unfurled Perhaps I am not good enough Perhaps my strength exceeds me, The world will see me.” “We Are The Future” is also available in SSA voicing. |
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The Road Not Taken (SSAA) |
This poignant piece, written for the Seymour College Chamber Singers, is based on the poem by the same name by Robert Frost. The text tells of a traveller who comes across a fork in the road and decides to take the road less travelled – a moving reflection on life’s decisions. Composer Carl Crossin’s decision to include violin adds a further element of emotion to an already very stirring piece. Highly recommended. |
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The Road Not Taken (SATB) |
This poignant piece, written for the Seymour College Chamber Singers, is based on the poem by the same name by Robert Frost. The text tells of a traveller who comes across a fork in the road and decides to take the road less travelled – a moving reflection on life’s decisions. Composer Carl Crossin’s decision to include violin adds a further element of emotion to an already very stirring piece. Highly recommended, particularly for youth choirs. |